Ray Wylie Hubbard: Don’t Peak Too Soon

Ray Wylie Hubbard has got to be one of the great second acts in country music — maybe for all popular music, an art form overwhelmingly favoring the energy of the young. He briefly made a name for himself with the outlaw country classic “Up Against The Wall, Redneck Mother” in 1978, though only in the last few decades or so has he started truly refining his distinctive — and highly-addicting — country blues swamp shuffle, with each successive album stronger, more defiantly individual than the previous. His slim yet bountiful 2015 autobiography shares two secrets for this late blooming success: Sobriety and the E chord without the third.
Technique

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